Foja Cero propose a fiction documentary.
From the self-portrait she appropriates his story to talk about installed patriarchy in Chilean society, founded stereotypes by the social classes and idealizations constructed from the neoliberal system.
The self-representation as an analytical device where the artist not only investigates in her physical appearance, but also explores aspects of her personality and searches in her biography.
What it seems an obsessive tendency for horror, the cruel and prohibited, is a political gender speech starring the author, a “blonde” belonging to another “social stratification” but faced to common reality, the wear of her idealization and her social class, especially the image that others have of her.
Foja Cero, is the unread files, the unanalyzed evidences, unheard statements, the incrimination of social judgment, the conviction for being a woman.